Nitty Gritty Dirt Band

For nearly six decades, the three-time GRAMMY® Award-winning Nitty Gritty Dirt Band has entertained audiences with their top-shelf musicianship and timeless hits. Now the time has come for the band who has carried a torch for American country and roots music to say so long to the highways and byways they’ve crossed an unimaginable number of times throughout their career.

On March 21st, 2024, the Dirt Band will kick off the first leg of their last traditionally scheduled gigs, ALL THE GOOD TIMES: The Farewell Tour. This isn’t goodbye forever, but it will be the last fans see of multi-city runs and long bus rides. These special shows will celebrate the music created by the legendary, yet ever-evolving NGDB.

Many veteran bands trade on nostalgia, on replication of past glories, and on recycled emotions from younger, more carefree days.

The Nitty Gritty Dirt Band trades on a mix of reimagined classics and compelling newer works. The group formed in 1966 as a Long Beach, California jug band, scored its first charting single in 1967, and embarked on a self-propelled ride through folk, country, rock ‘n’ roll, pop, bluegrass, and the amalgam now known as “Americana.”

The first major hit came in 1971 with the epic “Mr. Bojangles,” which, along with insistent support from banjo master Earl Scruggs, opened doors in Nashville. Behind those doors were Earl Scruggs, Roy Acuff, Doc Watson, Mother Maybelle Carter, Jimmy Martin, and others who would collaborate on a multi-artist, multi-generational, three-disc 1972 masterpiece: Will the Circle Be Unbroken went triple Platinum, spawned two later volumes, and wound up in the Grammy Hall of Fame.

Was this a cutting-edge combo or a group of revivalists? Was the goal rebellion or musical piety? Yes, to all these things. In the 1980s, the Dirt Band reeled off 15 straight Top 10 country hits, including chart-toppers “Long Hard Road (The Sharecropper’s Dream),” “Modern Day Romance,” and “Fishin’ in the Dark” (co-written by Jim Photoglo, who would join the band in the second decade of the new century). 1989 brought a second Circle album, this one featuring singer-songwriter talents including John Prine, Rosanne Cash, and John Hiatt and garnering two Grammy Awards for the band (it later won another, for a collaboration with Earl Scruggs and other fine folks). Circle II also won the Country Music Association’s Album of the Year prize. Circle III was released in 2003, featuring collaborations with Johnny Cash, Dwight Yoakam, Emmylou Harris, Taj Mahal, and more.

Throughout the group’s lifetime, personnel has changed, with each change resulting in positive steps forward, new ways of playing the old songs, and renewed enthusiasm for writing and recording fresh material. The latest Dirt Band lineup is expanded to six members for the first time since 1968. Today’s group consists of founding member Jeff Hanna, harp master Jimmie Fadden (who joined in 1966), and soulful-voiced Bob Carpenter, who has more than 40 years of service in the ensemble. Those veterans are now joined by singer-songwriter-bass man Jim Photoglo, fiddle and mandolin wizard Ross Holmes, and Hanna’s son, the preternaturally talented singer and guitarist Jaime Hanna.

Blood harmony, thrilling instrumental flights, undeniable stage chemistry … these things are part of each Dirt Band show, just as they are part of Dirt Does Dylan, the first recording from the reconfigured, six-strong group released in 2022. Produced by Ray Kennedy and Jeff Hanna, it’s a remarkable ride through some of the most impactful songs of the past century, penned by Bob Dylan and taken for a blue highway spin by a great American band, with help from genius-level contemporary artists like Jason Isbell and The War and Treaty.

A Dirt Band show is unlike any other. For legions of fans, it’s less about the memories than the moment, crisp as an Autumn apple and rich as a royal flush.

Larry Campbell and Teresa Williams

Love always. Love forever. Love until the end of time. The Great Cosmic Playlist is testimony to the endurance of an emotion that is easy to conjure but hard to maintain. But for Larry Campbell and Teresa Williams, who have been coupled consciously since 1986, love is more than a pop song; they are the bards of the long term committed relationship.

“As soon as I saw her, I knew she was the one,’’ says Larry. That epiphany occurred in a Manhattan rehearsal studio. Teresa, an actress and vocalist not long removed from Peckerwood Point, TN, had been pulled into a singing contest. Larry, the New York City native with a burgeoning reputation for his virtuosity on any instrument with strings, was brought in to play pedal steel guitar. “For me, it was love at first note,’’ she says. Together, they went on to capture a greater prize.

From the beginning, they shared a musical sensibility; Larry courted her with a Louvin Brothers mix tape. The more they played together, the deeper it grew. Whether it was Larry joining in on the music with Teresa’s family and neighbors under the tree where they were married (“Larry melded perfectly,’’ says Teresa), or Teresa belting bluegrass songs on the bus with Larry and the rest of Bob Dylan’s band as they traveled between gigs (“It was very fulfilling,’’ recalls Larry), the couple’s rapport grew richer. “I found a connection I had never experienced before,’’ says Larry. When Dylan’s manager, Jeff Kramer, suggested that they make hay with this natural duo, he expressed a thought that had been already brewing in Larry’s head. But Larry wasn’t ready. “I had to start seeing myself as a singer and songwriter before I could take that step.’’ The couple took another decade, much spent playing with Levon Helm and his band at his legendary Midnight Rambles in Woodstock, before Larry and Teresa elevated their rapport to the next level.

All This Time is the couple’s fourth album since taking that leap, following Larry Campbell and Teresa Williams (2015), Contraband Love (2017), and Live at Levon’s (2023). All This Time, says Larry, “feels more intuitive to me than the earlier records, less experimental, evidence that we’ve grown more aware of who we are and what we have to offer.’’ What they offer, evidently, is an intensely romantic album. Songs like “Desert Island Dreams”, “Ride With Me”, “The Way You Make Me Feel”, and “I Love You” fairly burst with the joy of love, while others recognize love’s humbling power. “All I want, all I need, is right in front of me,’’ testifies one song. “I still tremble at your name,’’ says another.

It’s not hard to recognize All This Time as a post-Covid album. Larry and Teresa had a hard pandemic. Before Teresa left for remote Tennessee to nurse her father through his last illness, Larry came down with a double-barreled blast of Covid, and Teresa was quarantined. Isolated in Woodstock before treatments had been developed, Larry struggled. “Teresa pulled me through,’’ he says. “I held his hand over the phone,” she offers. Teresa says Larry’s lyrics often help her decipher what’s on his mind, but it doesn’t always take a codebreaker to recognize the songs on this album as love letters sprouted in a harsh spring. “When you told me that you need me/ After all we’ve been through/ I still think about the love we have to give/ I think about you.’’